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Five Quarters of the Orange and Chocolat



Cover of "Five Quarters of the Orange"

Cover of Five Quarters of the Orange


I recently read both Five Quarters of the Orange and Chocolat by Joanne Harris and they are both beautifully written and evocative books. FQotO is a somewhat darker and more mysterious novel, telling parallel stories of a french girl’s childhood and her later life as a small-town restaurant owner. Chocolat, on the other hand, is exuberant and celebratory. With its luscious descriptions of sweets, it seems to be begging the reader to taste every delicious aspect of life while it lasts. Throughout both books run deep veins of secrecy, mystery, wanderlust, appetite, and distrust. Mothers make delicious meals and carry dark secrets in their hearts. Daughters are wild and quietly mutinous. Judgmental neighbors look on with calculating eyes. The worlds that Harris conjures up are completely sensory, deeply absorbing, and intricately detailed.




Franny and Zooey and Vonnegut

Cover of "Cat's Cradle: A Novel"

Cover of Cat’s Cradle: A Novel

Last year, something wonderful happened to me: I fell in love. No, it wasn’t with a fellow student, and no, we have never actually spoken, but when I first picked up Slaughterhouse Five, I knew the love I felt for Kurt Vonnegut would never diminish.

So imagine my joy when my friend leant me Cat’s Cradle, and I was again immersed in a world of pathos, nihilism, imagination, and humor. I absolutely loved it! With its completely original and unclassifiable story line, ridiculously imaginative characters, and valuable message, Cat’s Cradle is a gorgeous, funny, sad, weird, wonderful classic.

I also just finished Franny and Zooey by J.D. Salinger and I (unexpectedly) loved it as well. I saw unexpectedly because I have a bit of a love-hate relationship with The Catcher in the Rye. (First I hated it, then I liked it, then I loved it, then I was annoyed by it, then I was tired of it, and now I like to think we’ve come to a sort of truce.) But to me, Franny and Zooey was like Catcher‘s slightly older, slightly more mature, but still angsty sibling. It was easy for me to relate to Franny’s academic discontent, her feelings of directionlessness and malaise, her devotion to an obscure novel. These are common late-adolescence/early-adulthood themes, and Salinger presented them beautifully and respectfully.

More later!

Books From Humanities, Or, Reading for School Isn’t Always Boring

Cover of "The Odyssey"

Cover of The Odyssey

So I’m not even going to comment on how many months it has been since my last blog post, because the number is just shameful and wrong and horrible to look at. BUT I am back now and (hopefully) better than ever!

Since I’m a senior in high school right now, just forcing myself to physically go to school is hard enough, but actually enjoying it is nearly impossible. Having said that, there are a few bright spots amid the constant sea of pointless busy-work and annoying underclassmen, and one of those is my Humanities class. This class, man, let me tell you, this class is awesome. Like seriously, all we do is read these ancient and wonderful and complex texts and then we get to class and just discuss them for two hours. And we drink tea while we’re doing it. Has there ever been a more perfect class? I think not. So in honor of this lovely class that is helping me slog through the (seemingly endless) weeks until June, here is a list of some of the ancient and wonderful and complex texts that we have read so far:

• It took me a while to really get into The Odyssey by Homer, but when I did, I realized that this book is such a classic because it is simply brilliant. The plotting is so complex and intriguing, the characters are vibrant and surprisingly relatable, the language is incredibly beautiful and deeply moving. If you’re willing to stick with it for the long haul (and through those slightly dull stretches where Odysseus is living with the Phaeacians) you will be rewarded in spades.

• Dialogues of Plato is absolutely fascinating. My favorite dialogue was The Republic (though I feel like it’s kind of unoriginal to say that) because it presents such an interesting view of Plato’s utopian society. Who wouldn’t want a philosopher king to run their city?

• The Oresteia trilogy by Aeschylus has such a dark and sinister beauty, you can just feel the complex net of family, fate, murder, deception, and betrayal that entraps the House of Atreus. Mmm, so good.

• Marcus Aurelius’ Meditations. I love this book so much. I love the fact that Marcus Aurelius was such a powerful leader, but he speaks with such humility and ease. I love the advice in this book is as applicable to my life as a 21st century teenager as it was to that of a roman emperor. I love that it is practical and simply written and scattered and imperfect. It’s like the most sincerely beautiful self-help book imaginable.

The Dhammapada. Oh my goodness gracious, talk about love. This book is amazing. AMAZING. Its language is so precise, its imagery so evocative and beautiful. I absolutely loved learning about Buddhism in class, and this book was a big part of that.

• The Bhagavad Gita. This book is so gorgeous and thought-provoking. As I was reading it, I kept marking every beautiful image and idea that I liked, and at the end, nearly every page was marked. Wonderful, wonderful, wonderful.

Ahh talking about these books makes me want to read them all again, they are so brilliant and gorgeous.

More later!

Possession, I Capture the Castle…And Why I Haven’t Blogged For A Month


I Capture the Castle (film)

I Capture the Castle (film) (Photo credit: Wikipedia)


I think it’s official: I’m the worst blogger ever. I haven’t blogged in nearly a month? How did that even happen? Well, I sort of know how it happened: I got lazy and I also took a two-week community service trip to Nicaragua. (Which was amazing, by the way – the trip, not the laziness – but doesn’t make for good blogging). So anyway, sorry for that, and also sorry that I only have two books finished to show for it…Not exactly the best way to start off a reading-filled summer!


Possession by A.S. Byatt was, in a word, amazing. Gorgeously written, completely enthralling, and hugely ambitious, it’s the kind of book that allows you to escape the hum-drum mundanities of everyday life (or, in my case, the sweltering Nicaraguan climate) and dive into a fascinating world of academic rivalries, doomed love affairs, and epic poetry. Every page held an ingenious turn of phrase, colorful character, or thoroughly convincing imitation of Victorian-era poems, letters, and diaries. Some books are so impressive that you feel not only as if you’re reading them, but as if you’re experiencing them as a fully immersed participant in an event. Needless to say, I thoroughly enjoyed Possession, and my only (very minor) complaint would be that at times I wished for less of Roland and Maud (such academic-y academics, which probably doesn’t even make sense as a phrase, but what I mean is that they were just so serious and their research was so obscure and they spoke so formally all the time…it made me want to force them to watch a couple hours of Jersey Shore, just to show them that there is a world outside of a University library…) and more of Randolph and Christabel, but even in lovely, accomplished, practically flawless novels, there is always something to find fault with.


I Capture the Castle by Dodie Smith was also a great read, with one of sweetest and most convincing protagonists I’ve ever encountered. I was completely swept away by Cassandra’s descriptions of her life living in a decrepit castle in the English countryside with her eccentric family. It was also interesting to hear a British perspective on America and Americans, too, since it’s a bit of a rare experience for me to be seen as the strange outsider. Cassandra would always point out differences in phrases and customs Americans and British people used, little things such as Americans moving their fork from hand to hand when cutting and eating meat. Things I’d never really thought about before as being different or unique, but apparently are. All in all, a very good and though-provoking read.


• I’m also a little more than halfway through on The Imperfectionists by Tom Rachman and it is absolutely brilliant so far. Can’t wait to talk about it more!



The Joy Luck Club, The Maytrees, One Flew Over The Cuckoo’s Nest, and Part of Possession…


Cover of "The Maytrees: A Novel"

Cover of The Maytrees: A Novel


Arggh I’m tired today. It’s finals week and everyone is annoying and all I want to do is watch the Borgias until my eyeballs fall out BUT I have posted in over two weeks, so I felt like I should at least TRY to be a good blogger and, you know, actually post once in a while…


1. The Joy Luck Club by Amy Tan was a great book that I just finished. Just the write length, well-written without being overblown or flowery, populated by believable, (mainly) sympathetic characters, and definitely deserving of the love that’s been heaped upon it over the years. Tan captures the misunderstandings and annoyances between mother and daughters perfectly, as well as the lighter times. Her vision of two generations of Chinese-American women is perfectly realized and written with such refreshing elegance and assurance.


2. The Maytrees by Annie Dillard was one that I just finished and wasn’t quite so crazy about. While I loved Dillard’s evocative imagery and note-perfect descriptions of the ocean, I couldn’t get past her over-reliance on alliterations (seriously, sometimes enough is enough…) and the often foggy and under-developed motivations of her characters. Without giving much away plot-wise (I personally am never interested in long plot descriptions in reviews), I’ll just say that she seems to set the reader up for one set of events before completely turning them all on their head in a way that I frankly found unbelievable and incongruous. The characters also bothered me in that they never seemed to DO much of anything. Sure, there was a lot of staring at the sea and pondering the nature of love, but come on, can’t they work a little bit too…? Or just do something that could be construed as useful…? Overall, this book had moments of lovely writing marred by half-baked and maddening characters.


3. I read One Flew Over The Cuckoo’s Nest by Ken Kesey for my English class, and I ended up really liking it, though I just can’t say I ever really LOVED it. (Unlike The Grapes of Wrath or The Great Gatsby for instance…) I really don’t know why, I just never fully connected with the character of McMurphy, and I think without that, the book just lost a little bit of its pull for me. Great message though, obviously (basically, stick it to the Man!), and well-written/constructed.


4. Possession by A.S. Byatt doesn’t really count, sicne I just started it and am only about 50 pages in, but it is SO GOOD. Really, SO SO GOOD. Every time I read it I literally feel like I’m being swept away into another time and place. (Okay, maybe not literally). Byatt’s writing is almost insanely brilliant and incredibly versatile. AHH better get back to reading it!



Matched, One Day, The Film Club, The Crucible, AND Play It As It Lays…


Cover of "The Film Club: A Memoir"

Cover of The Film Club: A Memoir


I don’t know why, but for some reason, I keep reading such odd combinations of books. For example, in the last two weeks, I’ve read Matched by Ally Condie, One Day by David Nicholls, The Film Club by David Gilmour, The Crucible by Arthur Miller, and Play It As It Lays by Joan Didian. Each of them are INCREDIBLY different from the others, but they were all (pretty much) very good. So, without further ado…


Matched was a nice, fast-paced weekend read, the kind of thing that doesn’t take too much time or brainpower but nevertheless leaves you feeling satisfied. What bothered me about it, though, was that the plot just seemed to done. I mean, how many YA writers can put a twist on the old free-thinking-teen-rebels-against-his/her-dystopian-government plotline. I like these books as much as the next person, but only when they differ enough from this stale formula to chart new territory and not just feel like a tired rehashing of the same events. Compounding my annoyance at the book was its sassy girl/nice guy/bad boy love triangle that frankly, just felt like a tepid redo of the whole Katniss/Peeta/Gale storyline in The Hunger Games. I loved that series, but the downside of its crazy popularity is that now so many YA writers are sticking straight to its formula without adding enough twists and surprises of their own to keep things fresh. Okay, rant over.


• I just finished One Day last night and I have to say, it ENTIRELY lived up to the hype. It was glorious. Funny and realistic and interesting and sad, I completely believed the two main characters and their messily imperfect lives. Telling the story through yearly snapshots of Dexter and Emma’s lives on the anniversary of the day they met was an ingenious way to present the character’s lives and pique the reader’s interest throughout the story (“Ooh, can’t wait to see how this turns out next year…”) All in all, a great big fun romantic story with a heartbreaker of an ending.


The Film Club was another great book. A memoir of sorts about the years that Gilmour allowed his son Jesse to drop out of school as long as he watched three movies each week, this book surprised me in its smooth, assured style and the startling depth of its insights about family, love, and, of course, movies.


• We just finished reading The Crucible in school, and while I liked it, I can’t say I loved it. I tend to find highly subtextual novels somewhat exhausting, with their thinly-veiled references and wink-wink-nudge-nudge cleverness, and with this one, I just kept feeling like I was being hit over the head with its hidden agenda. But this one’s a classic, so that might just be me…


• Since I read The Year of Magical Thinking a while back, I’d forgotten how stark and bone-dry Didion’s writing can be. But Play It As It Lays brought it all back. Each sentence felt like it was trying to suck the moisture out of the air, the writing was that dry. I really respect Didion’s control over her work, and her obvious talent at creating tone and atmosphere, but when a books feels like Death Valley translated into novel form, it can be a bit of a trial to read.


So many good books this week! And so many more on the horizon! I just started The Joy Luck Club by Amy Tan and Hotel Du Lac by Anita Brookner…Let’s hope the stay as good as they are now!



Fight Club and The Way of Life


Cover of "Fight Club: A Novel"

Cover of Fight Club: A Novel


This week I read two very different books: Fight Club by Chuck Palahniuk and The Way of Life by Lao Tzu. A bit of a a weird combination, but somehow it actually worked. Maybe because Fight Club was so apocalyptic/nihilistic whereas The Way of Life was so peaceful and serene, they ended up balancing each other out really well. Because I’m tired (but also because I love how both the books are written) I’m going to let the similarities and differences speak for themselves:


On Death:


“On a large enough time line, the survival rate for everyone will drop to zero.”


Fight Club


“Death is no threat to people who are not afraid to die; but even if these offenders feared death all day, who should be rash enough to act as executioner? Nature is executioner. When man usurps the place, a carpenter’s apprentice takes the place of the master: and an apprentice hacking with the master’s axe may slice his own hand.”


The Way of Life


On Relating To Others:


“You are not a beautiful and unique snowflake.  You are the same decaying organic matter as everyone else, and we are all part of the same compost pile.”


Fight Club


“A sound man’s heart is no shut within itself but is open to other people’s hearts: I find good people good, and I find bad people good if I am good enough; I trust men of their word, and I trust liars if I am true enough; I feel the heartbeats of others above my own if I am enough of a father, enough of a son.”


The Way of Life


I cannot even begin to tell you how much I like that last quote from The Way of Life. I feel the heartbeats of others above my own if I am enough of a father, enough of a son…Perfection.



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